Gob muertos vivos rar

Remembered Forever. Jungle Cat. Twenty Flight Rock. American Nightmare. Nocturnal Demo. Prelude: Death of a Tiger. Ghost Tigers Rise. Wander Alone. Santa Carla Twilight. Rose of the Devil's Garden. What Happens? Through the Darkness. The Long Road.

Swift Silent Deadly. Sea of Fire. The Loop Morrisey cover Bonus Track. Prelude: Signal Return. Forever Fades Away. Ghosts of Memory. As the Cold Rain Falls.

Hechizo de Amor. Spring Forward. Where the Moss Slowly Grows. Prelude: Ad Victoriam. Prisoner of the Night. I Am the Moth. World Without the Moon.

Dark and Lonely Night. Knife's Edge. Devil Lurks on the Road. Happier Times. Candy Ghosts. Ellin for God-sake. This is probably a good move on their part, as you can unfortunately only re-hash the same tired formula so many times before, no matter how amusing and nostalgic it is. Don't get me wrong though. Muertos Vivos is still heavily rooted in pop-punk. What's missing from past records is the optimistic, happy-go-lucky sound heard in songs like For the Moment and Lemon-aid.

Gob's fifth studio album is a darker, more mature as mature as a band called Gob could be - it isn't completely juvenile this time offering than anything they've previously released.

Musically, Gob sometimes compliments these themes with heavier, power chord driven songs such as first single, We're All Dying, War is a Cemetery, and Underground - essentially the first half of Muertos Vivos , as well as slower, morose numbers ala the Jimmy Eat World-esque Open Wounds, and the electronic laced Face the Ashes, which make generally make up the second half. The definite highlight off Muertos Vivos, Still Feel Nothing, is one of the gloomiest songs Gob has written, and does an exceptional job on capturing the frustration and paranoia emphasized by the song's passable, but somewhat meagre lyrics.

Given that Muertos Vivos isn't quite as upbeat or cheerful as some of Gob's older material, songs like the aforementioned Still Feel Nothing, Banshee Song, or even the album's closer, Wake Up, the album might not be the most impressive record on first couple listens, but it feels as though the Canadian quintet is attempting something new.

Kind of. Too much of the album sounds alike. Much like Sum 41's summertime release, Underclass Hero, Gob's fifth studio effort isn't quite as musically original as it could be, yet it remains a fun listen for the kind of album it is.

That Muertos Vivos lacks the filler and obnoxious childishness of pop-punk albums past also reflects nicely on Gob's part. How long they can continue to write and record this brand of music is beyond me, but as long as main song writers Tom Thacker and Theo Goutzinakis can continue to make things sound interesting, I'll give it a listen.

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